comicbookGRRRL Do not offend the chair leg of truth; it is wise and terrible.


New Statesman: “The Art of the People” – How Comics Got Political

A series of interviews with guests at the Stripped Festival, including Stephen Collins, Paul Cornell and Grant Morrison, looking at the politics both present and absent in their work.

"One of the historical roots of modern comics is of course the political cartooning of the early newspapers; the mechanical reproduction of images finally allowing art to be consumed by the masses rather than the privileged few, with cartoonists leaping at the chance to communicate complex political situations via their deceptively simple form.

"The idea of comics as a political tool is not without its controversies, from grumbles amongst novelists to riots over religious icon portrayals. Any fan of superhero comics can tell you that comics don’t have to be overtly political, but the recent insistence by creator Todd McFarlane that historically no comic book that has worked has been “trying to get across a message” was largely met by the rolling of eyes."

I've been delighted with the feedback on this long-form piece, and the discussions that it has provoked. You can read the full article at the New Statesman.

by Stephen Collins

by Stephen Collins


Comments (0) Trackbacks (0)

No comments yet.

Leave a comment

No trackbacks yet.