January is traditionally a quiet month in the book industry, the relentless torrent of autumn releases and Christmas gift books swept aside by diets and wishful thinking texts of the new year, but nobody seems to have told the comics industry. Thank goodness.
With such a wealth of intriguing new titles on sale it's easy for some of the smaller fish to get lost in the gigantic pond, so without further ado here are some choice pickings on the shelves this month - indies, graphic novels, and floppies alike!
As promised, the first instalment proper of my new column for the British Science Fiction Association's critical journal, Vector. Coverage of the world of SF literature can be a tad bloke heavy, and comics are no exception.
Time then to delve into the truly groundbreaking work from SF comic creators that just happen to be female: Starstruck, A Distant Soil, and Finder; and their modern successors Saga, Decrypting Rita, and Grindhouse.
Hit the jump for the full article!
Earlier this year I was thrilled to be invited to contribute a regular column to Vector, the critical journal of the British Science Fiction Association. My column, Sequentials, is the first time the journal has covered comics and I'm really excited to be a part of that.
Before my column kicked off proper, the year began with a Best of 2013 issue, so what better way to introduce comics to the Vector readership!
Below then is my look back at the best science fiction comics that 2013 had to offer, with a particular focus on four important comics: Ballistic by Adam Egypt Mortimer and Darick Robertson from Black Mask Studios; The Wake by Scott Snyder and Sean Murphy from Vertigo; The Private Eye by Brian K Vaughan, Marcos Martin and Muntsa Vicente from Panel Syndicate; and Raygun Roads by Owen Michael Johnson and Indio from Changeling Studios.
Hit the jump for the full article!
The world of superheroes is a funny old place, home to some of the craziest and most imaginative storytelling of the last century, but eternally trapped in a constantly regressive rut. Long time fans simultaneously demand change and uniformity, for heroes to evolve and remain the same age forever more.
This month Marvel announced three key upcoming changes in its comics line, which was met with familiar outrage and increasing mainstream press interest towards this medium that has given the public their favourite superhero movies. But what was most interesting to many onlookers were not the announcements themselves, but the chosen method of broadcast.
The View, a US daytime talk show, exclusively announced that Thor was to be female in an upcoming title. "It’s a huge day in the Marvel Universe," revealed Whoopi Goldberg. "Thor, the God of Thunder, he messed up. He is no longer worthy to hold that damn hammer of his. And for the first time in history that hammer is being held by a woman."
Earlier this year, SciFiNow magazine launched a new digital series titled Uncanny Comics. The short monthly mag costs just 69p/99c and combines interviews, reviews (both new and classic), a look at a legendary creator, and an explanation of a comics event.
My features in Uncanny Comics #4 include a look at the work of Marie Severin, exploring the Final Crisis event, a bio of Doop, an interview with Mike Carey (The Unwritten, Lucifer), and mini-reviews of five of my favourite classic comics. All with direct links to the comics on Comixology and/or Marvel Unlimited as applicable!